Posts Tagged Aspect Ratios

GigaPan Epic Pro robotic camera mount gets upgraded to firmware version 171

Posted by on Saturday, 23 April, 2011

The GigaPan Epic Pro has been privy to the making of some pretty monumental and highly detailed panoramic images, and now the gigapixel gadget is getting an upgrade. The latest firmware update to the robotic camera mount brings even more exposures per position, a “dedicated mirror lock-up” for bulky lenses, and a time display that tells you how long it will take to work its panoramic magic. Among other things, the update also includes a set of new aspect ratios and the ability to take time lapse panoramas. If you’re already packing a GigaPan Epic Pro, you can download the update at the source link below for free — a brand new rig, on the other hand, will set you back a substantial 0. That ain’t cheap, but there’s a reason it’s called the GigaPan Epic Pro. Full PR after the break.

Continue reading GigaPan Epic Pro robotic camera mount gets upgraded to firmware version 171

GigaPan Epic Pro robotic camera mount gets upgraded to firmware version 171 originally appeared on Engadget on Sat, 23 Apr 2011 04:19:00 EDT. Please see our terms for use of feeds.

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NEC releases 5:4 monitor: Cue the yawns

Posted by on Tuesday, 1 September, 2009

All glory to the Hypnotoad!

(Credit: NEC)

You know, I’d almost forgotten they still make these. When i say “these,” I’m of course referring to standard aspect ratio monitors. With the advent of wide-screen 16:10 and now 16:9 monitors, the last three to four years has seen 4:3 and 5:4 monitors go the way of the Dodo.

NEC seems determined that we don’t forget standard aspect ratios and in September will be releasing the 19-inch MultiSync EA190M. According to NEC, the display is designed for “a variety of business environments, government applications, and education users.”

Just what government applications are we talking about here? In every episode of “24″ I’ve ever seen, everyone uses wide-screen, 24-inch Dells. This monitor must be for less well-funded government divisions.

According to NEC, the EA190M consumes 50 percent less energy and contains 50 percent less mercury than traditional LCD monitors. It has a one-touch button to go into EcoMode. This most likely puts a cap on the brightness since a display’s brightness is the main determining factor for power consumption.

Here are a few other features of the EA190M:…


Daily Crunch: Widescreen Edition

Posted by on Friday, 21 August, 2009

Hooray for Guild Wars 2!
Soderbergh goes off on TV movie aspect ratios
The first Avatar trailer is here (update: American version)
The Solar-UFO is a UFO-shaped vessel that serves as a water purifier
Back-to-school: 10 Things You Should Know About Going To The Bar
Contest reminder: Five Superion Transformers action figures up for grabs



Soderbergh goes off on TV movie aspect ratios

Posted by on Thursday, 20 August, 2009

lawrence
The other day, John talked about the difficulties of putting 24Hz material on a 120Hz display. While helping out a bit with that, I was reading up on telecine, which is an interesting read if you want to know yet another way in which TV channels butcher the movies they show. Steven Soderbergh, whom I will presume you know of, is angry at them for another reason, though: aspect ratios. A man after my own heart, he can’t stand seeing good movies broadcast in pan & scan, or stretched, or cropped. He rates some of the big movie channels, and HBO gets the worst of it — “the poster child for stupidity.”

His curse-laden criticism is in an official capacity, as the national vice president of the Director’s Guild of America. His complaint is that the HD and 16:9 improvements made to TVs have done nothing to change the habits of TV operators, who for 50 years have been dismembering films to cram them into a different aspect ratio. The latest is that 2.40:1 (AKA 2.39:1) movies, a format which directors like Soderbergh and Spielberg (all the bergs, really) often work in, is still getting squeezed and cut. And the TV guys say it doesn’t matter to the director, but it does to the consumer.

The logic used to make you, the filmmaker, conform to this belief makes a pretzel look like a ruler: you are told you shouldn’t care whether your 2.40 film is turned into a 1.78 film because there really isn’t that much of a difference, while in the same breath you are told viewers notice the difference enough to complain about it.

steven-soderbergh-20050222-27125If you ask me (not sure why you would when Soderbergh is perfectly happy to), I’d tell you to letterbox everything. I’d rather throw away a little definition in return for a lot of content. Besides, I think there’s a certain amount of disrespect in watching a movie modified from its original form. Like listening to a great album through a mono speaker, or appraising art while wearing really dark sunglasses.

His solution: man up, directors! Band together and demand that purchasers of TV rights retain the original format, or at the very least leave final cut to the director or cinematographer. I’m all for it.

[via Reddit]



CNET’s top-rated 23-inch LCD computer monitors

Posted by on Wednesday, 29 July, 2009

I won't lie; the Dell SP2309W is hands-down my favorite 23-incher, thanks to its 2,048×1,152 resolution.

(Credit: Corinne Schulze/CNET)

My new favorite LCD computer monitor category is the 23-inch. The 23-inchers by their nature have 16:9 aspect ratios, which means at least a 1,…


Presentations With A Digital Projector

Posted by on Sunday, 19 July, 2009

If you’re creating a home theater, then you’ll undoubtedly ask yourself the question, “Should I get a projection screen and theater projector, or should I just get an HDTV?” There are several pros to home projectors. For instance, you can pay up to $9,000 for the new 65-inch Panasonic plasma TV or you can spend $2,500 on a 61-inch Samsung rear-projection unit. Economically, it makes sense.

Also, projection screens fit up against the wall and maximizes more space in a room, and the screen and projector won’t mess with the acoustics in your room like a big clunky television set might, so your home theater will be perfectly calibrated with this type of system. Here are some factors to consider when shopping for that perfect, home theater projector.

digital projector
One point to consider when looking at projectors is what aspect ratio do you want? “Aspect ratio” refers to the shape of the video image. For instance, most TV sets have aspect ratios of 4:3 (4 units wide, 3 units high), whereas HDTV standard models have an aspect ration of 16:9 (16 units wide, 9 units high).

If you view a lot of classic films or DVD TV series, then a 4:3 configuration may be preferable to you; it’s easy to shrink a larger picture down, with black borders to account for any discrepancies. However, most home video projectors are being marketed in the 16:9 ratio. If you watch a lot of HDTV or wide screen DVD, then a 16:9 ratio makes sense.

The one drawback is that viewing 4:3 content on this massive unit will make the display look tiny and even if you stretch the frame to fit the screen, the resolution won’t be as good. There is yet a third choice for wide screen movie aficionados; the 2.35:1.

projection screens
For instance, Lord of the Rings, Tombstone and Star Wars are all set wider than 16:9. A “constant image height” setup can stretch the image out to its ideal size, although you will need to purchase a 16:9 digital projector along with an expensive anamorphic lens to accomplish this task.

Next, you’ll need to choose a resolution and brightness for your projector. Resolution refers to the clarity of the picture and it can be as low as 854 x 480 or as high as 1920 x 1080, although most consumers choose 1280 x 720, which lets you view HDTV and Blu Ray discs perfectly. When considering projector lamp brightness, be aware that brighter is not better.

Brightness is measured in ANSI lumen rating and foot-lamberts. In a dark room, luminance of 12-22 fL will provide comfortable brightness for you. If you still have some ambient light filtering into the room, then screen luminance of 30-50 fL will compensate for any loss of contrast due to the room’s natural lighting.

The most high-end format on the market is the 1920 x 1080, which doesn’t require any scaling and gives you the sharpest picture, with virtually no pixel shape visible.

theater projectors
Lastly, you’ll want to check out contrast specifications for your home theater projector. The bare bones contrast level is 2000:1, which is just enough black level and color saturation to avoid a muddled picture. Many consumers have a 5000:1 projector, which provides good definition on a midrange unit.

For top-of-the-line color saturation and definition, you’ll want a 10,000:1 contrast for the best shadow detail. While this may sound very confusing, often times, you can get someone to come out to your house and calibrate everything just right to be sure you’re getting the most out of your home theater experience.