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If you are excited about photography – and want to move your photos to a whole new, higher level – the key to success often is the photography background!

One of the vital differences between amateur and professional photography is the professional has learned to manage and manipulate the photography background – where the amateur focuses all their concentration on the subject and typically simply lets the background happen on its own.

Have you ever been so caught up with your subject and lights and so forth that (when you look at the finished photo) you discover a huge rubbish can – right behind your subject – spilling garbage all over the ground? In every photograph? And you never even noticed it during the photo shoot!

Or, maybe you have been guilty of having tree branches seeming to stick from the subject’s head, like horns?

They are ridiculous mistakes that are easily fixed and can promptly raise your photography’s effectiveness.

The unpleasant news is we don’t actually perceive how much better our pictures are! Let us face it; if you don’t have garbage or horns and so forth, you never stop to consider how much better your photograph is…you simply do not notice. Our attention only comes to bear if we overlook something and screw up (we all do every so often).

If you would like admiration for your creative undertakings, you can’t let these problems into your photos. It truly is an easy fix…just remember to check out the background and all four corners in the viewfinder before you press the shutter button – after that you adjust accordingly.

If you have a tough time remembering, take a piece of masking tape and write – in huge black print – “CHECK THE SURROUNDINGS”. After that put the tape to the backside of the camera. This will help remind you until it becomes a habit.

You will never be aware of how many photos you’ve saved, but it’s well worth the effort.

The following most straightforward photography background procedure – to make your subject “pop” from our photo – is to isolate them.

I am certain you’ve seen photos where the subject is in clear, razor-sharp focus – but the background is totally out of focus and is nothing but a wash of color.

This is done with controlling the depth of field.

Depth of field establishes how much of the photo is in focus. One can find complete textbooks written re this area (heck, I wrote one myself!) but the easiest ways to do this “wash of color” technique are to:

1. Use the longest focal length lens you can.
2. Open it up towards the widest aperture possible – this would be the lowest f-stop numeral.
3. Place the background as far to the rear of the subject as is practical. Or else locate the subject as far in front of the backdrop as you can.

Plainly each of the 3 tips has many variables. Through adjusting the options presented to you, you can make your photography background as focused or unfocused as you would like. There is not any right or wrong.

Absolutely out of focus, to some extent in focus, sharp as a tack…that is where your creative eye comes into play.

After you’ve mastered the “in camera” strategies of controlling the backgrounds, then it is time to consider making some fabric backgrounds. This will give your photography a professional “studio” appearance.

A pretty good quality backdrop can literally cost hundreds if not thousands of dollars. Consequently, in lieu of shelling out the big bucks, I recommend creating your own. Luckily a photography background is simple to generate and can be made for pennies on the dollar.

Pay attention to your photography background and you will be shooting professional quality photos in no time.

Every type of wiper blades combination in existence today has a young lady called Ms Anderson for its acclaim. All the way back in nineteen hundred and four a individual of Alabama came up with the forerunner prototype that would blaze a trail for all following styles of wiper blades, a hundred years such is the success of this straight forward design that it is located at all four corners of the Earth. Her everyday design was propelled by hand and required a giant amount of manual energy to operate; things have definitely come a long way with the latest models today electric powered and rain sensor accoutered. This style of a simple hand shaft apparatus was inspired by the tram drivers in New York who were compelled to clean their wind screens by putting their hands out of the cab and onto the wind screen in order to wiper it. The initial wiper blades model was composed of a system of twin brushes capable of wiping down a straight piece of glass by means of a handle. Later designs would add the now common rubber wiper blades and eventually propelled by an electric motor. The fore runner of the electric motor was something named a vacuum pump, this device created a pressure difference which could then be harnessed to create kinetic energy.

The problem with this device was that as the engine revs went up the power of the vacuum descended rapidly, so at high speeds the wipers would come to a total halt. The wide spread up take of the wipers was in a big part due to the industrial revolution and a man named Mr Ford who made it his work in life to manufacture affordable cars. By nine teen sixteen the wipers was fixed as standard to all automobiles which soon started to number in the millions before the end of the twentieth century. Today you will find this awesome windscreen wipers design on all sorts from boats and trucks to even hovercraft and helicopters.

The latest generation of replacement wiper blades has many different settings which can be tailored appropriately to the prevailing weather states such is the wide spread success of this everyday format. The latest innovation comes in the form of rain sensors, these devices were invented by Citroen and measure the amount of resistance met by the replacement wiper blades and changes the power accordingly. Another great leap forwards in replacement wiper blades design came about when the standard rubber insert was eventually replaced by an enterprising individual with an insert made exclusively of a substance known as silicone. This revolutionary new material makes life much easier for all concerned, by its very nature it is an extremely durable substance lasting numerous millions of cycles and out performing all other types of replacement wiper blades. Silicone is so incredibly underactive that it can be evident to moisture, cold, heat, ozone, and acid, pollution any thing and it will not decompose. Another great feature is its amazing feature to resist changes in temperature; silicone replacement wiper blades will not stick to your wind screen into his winter nor melt to your windscreen in summer.

Earlier today, we’ve covered Honda’s U3-X, and now we bring you another mobility robot from Japan. What we have here is a robotic skateboard, which was developed by the Shibaura Institute of Technology in Tokyo. And no, it’s not really a fun project. That DIY Segway skateboard is about to get some serious competition.

The current Robo-Skateboard prototoype weighs 15kg, is 30cm wide, 60cm long and 25cm tall. Its speed and direction can be controlled by shifting your body weight. For example, when you put your weight on either one of your feet, the skateboard will automatically accelerate. There are load sensors on all four corners of the board, motors (and wheels) on the sides and a control computer unit in the middle.

The research team at Shibaura says the Robo-Skateboard can travel as fast as 10kph and is suitable for riders weighing up to 80kg. You can use it continuously for about an hour on a single charge.

The developers plan to reduce the robot’s weight and push down its price to about $1,000 before trying to mass-produce and bring it to market by 2013, probably in cooperation with a toymaker.

Via The Nikkei [registration required, paid subscription]

By Andrew Liszewski

If you’re curious what $3,200 worth of CD player looks like, then feast your eyes upon the Impression II from Grant Fidelity. Designed for even the most picky of audiophiles, all of the electronics in the Impression II, including the power supply, the tube and solid state circuits, the tube analog output and the tube headphone amp are placed in the four corners of the player to prevent them from interfering with the CD player which sits in an isolated aluminum chassis in the middle.

The Impression II also features “defeatable up-sampling” with 3 optional frequencies including 44.1 kHz/16bit, 96 kHz/24bit and 192 kHz/24bit, though from what I can tell it doesn’t play SACDs which seems odd given the clientele they’re targeting. And since you’re already spending over 3 grand on this thing, you might as well go ahead and opt for the $380 polished stainless steel finish instead of the standard brushed aluminum one.

[ Grant Fidelity Reference Tube CD-1000 Player AKA The Impression II ] VIA [ Born Rich ]

By Chris Scott Barr

I remember being little and hating my grandparents old grandfather clock. While I enjoyed the pleasant tones it emitted every fifteen minutes, it featured Roman numerals, which were a pain to read. I’d have to stare at it for a moment to really figure things out. I still prefer a standard digital clock, as it only takes a quick glance to tell you the exact time. I’ve often wondered, how much more (or less) efficient would a clock be that spelled out the time in words? Well now there is one that does that very thing.

The QLOCKTWO is a strange clock that tells time by writing things like “IT’S FIVE PAST NINE.” Its biggest drawback is that it only spells things out in five-minute increments. If you want it to be more precise, you have to look to the four corners of the clock, each of which has a dot that represents a single minute. This clock-turned-art-piece will probably be the most expensive thing in your living room, should you choose to buy it. The asking price is just under $1,600. If you’re cheap like me, you can just buy the QLOCKTWO app for your iPhone, which is only a mere $.99.

[ QLOCKTWO ] VIA [ Technabob ]