Even though I’m not a massive fan of many television shows, there have been a number of great comedy programmes in recent times which are still as hilarious now as the first time I watched them and definitely stand up to repeated viewing. Thinking about it my absolute favourites are generally those which take place in a different era from now. I’ve formed the theory that the reason for this is that a series based in the present will look old fashioned in a few years time – the references which are current now will no longer be, fashions and hairstyles will have altered and the whole concept will appear to be a bit jaded.
Of course for those programmes which are not set in current times, that issue doesn’t exist. Those which are set in the past are already dated, but in a such a way that we don’t object as we know it’s meant to be. So it’s more like reading a history book as opposed to today’s newspapers. Programmes which take place in the future, of course, only need to appeal to our imagination. It’s impossible to know if their depiction of life many years from now is even a little accurate, but it’s not a problem because it’s realistic enough to keep us interested and at the same time, it’s strange enough to make us curious.
I guess my three favourite comedy programmes (though not necessarily in this order) would be Dad’s Army, Blackadder and Red Dwarf. Having parents who were alive during World War II, albeit as children, I suppose it was inevitable that they would relate to some of the situations that the gentlemen of the Home Guard got themselves into, and the gentle humour with little more than subtle innuendo once in a while would have appealed to their sensibilities.
From my point of view, looking at it from a child’s viewpoint, I loved the two younger characters, Walker and Pike. I guess it’s natural for a child to warm to the people you stand the most chance of being able to relate to. Having seen countless episodes as an adult, I now see how spot on the casting was for every character, and it’s fair to say that, maybe apart from Ian Lavender, all of those actors will always be best remembered for their Dad’s Army character. Every part within the programme was just perfectly written, from Wilson’s middle class politeness, to Fraser’s typical Scottish characteristics, Walker’s ‘wide boy’ behaviour and Captain Mainwaring’s pompous leadership style. (And I’m sure he would have been ordered to have Laser eye surgery if it was these days? It would have been a drag to be constantly fiddling with those glasses in a combat situation!)
The creation of the Blackadder character was a great TV moment. The medieval prince, who starts to name himself The Black Adder, and his descendents wreak havoc throughout history throughout the four series, and the viewer witnesses a more and more devious Blackadder character, together with a progressively intellectually challenged Baldrick in the time of Elizabeth I, during the Regency and taking part in the First World War. Again, the casting was outstanding, especially the main characters. I’d be hard pushed to choose a favourite series, much less a favourite character, and the presence of so many renowned actors in most episodes makes the task even more unachievable.
Red Dwarf, at the opposite extreme, is set way in the future on a mining ship on which nearly all of the crew perished three million years earlier after a radiation leak. One human survived having been in suspended animation when the accident took place. For any folk not familiar with the programme, the the events that follow are possibly not what you want to read here. To those who are fans, I expect you’re already quoting pieces of the script as you read this! Again, the cast is extremely important to the programme, a fact which was more than proven after two US efforts at pilots for the show flopped disasterously. The four leading actors really made the characters their own, and I really can’t imagine liking an episode of the show with anyone else playing Lister, Rimmer, Kryten or The Cat. The incompetence of the crew only serves to make their adventures more amusing, though I’ve always wondered why a comparatively sophisticated spaceship doesn’t actually possess the Laser eye weapons that The Cat kept saying that they should use. But all the same, they always come out on top in the end.
There are other comedy shows which I also love watching – The Mighty Boosh and The IT Crowd are both close to the top of the list. And although they don’t exactly fall into the categories of past or future, The Mighty Boosh most definitely takes place in some type of nearby universe – a planet where a talking ape and a man who consists solely of a pink head are considered quite normal members of the community and where almost anything might happen. The imaginations of writers Noel Fielding and Julian Barratt must be exceptionally creative. I await the next series with interest and am totally expecting more strange and wonderful characters to appear – perhaps one with Laser eye sight, or another with roller blades instead of feet. In the land of The Mighty Boosh anything is possible! I think that The IT Crowd also partly exists in an alternate dimension – a place in which someone blurs the line between what could really happen and what has to happen to make the show a success.
I suppose, ultimately, that the fact that all of these shows exist in places beyond my reality probably explains why they appeal to me so much – maybe I wish to be somewhere else too. (Most logically in an opticians finding out about Laser eye surgery if I don’t stop playing so many DVDs!)